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Edited, introduced and annotated by Cedric Watts, Research Professor of English Literature, University of Sussex. The Wordsworth Classics' Shakespeare Series presents a newly-edited sequence of William Shakespeare's works. The textual editing takes account of recent scholarship while giving the material a careful reappraisal. 'Romeo and Juliet' is the world's most famous drama of tragic young love.

Defying the feud which divides their families, Romeo and Juliet enjoy the fleeting rapture of courtship, marriage and sexual fulfilment; but a combination of old animosities and new coincidences brings them to suicidal deaths. This play offers a rich mixture of romantic lyricism, bawdy comedy, intimate harmony and sudden violence. Long successful in the theatre, it has also generated numerous operas, ballets and films; and these have helped to make Romeo and Juliet perennially topical. AUTHOR: William Shakespeare (1564-1616) needs little introduction.

As we approach the four-hundredth anniversary of his death, his reputation as one of the greatest writers in the English language is undeniable - except by those who attribute his works to other writers. Examination Thesis from the year 2002 in the subject English Language and Literature Studies - Literature, grade: 1,3 (A), University of Trier (English Department Trier), language: English, abstract: The paper is organised in three main parts, theoretics, application and evaluation. The first part will deal with issues necessary to fully apprehend Shakespearean moviemaking. I will examine the history of it and explain what made the two films discussed herein possible and what eventually led to them. Furthermore, I will depict the two directors’ different backgrounds and how they lead on to their individual styles.

I will consider some other films that have paved the way for Zeffirelli and Luhrmann. A chapter is dedicated to the filmic realisation, which will consider the cuts, rearrangements and general approach of the films and their directors. These issues will be confirmed by the secondary literature used herein. The second part will apply these issues to single and in my opinion particularly revealing film-scenes, which will be examined to perceive Zeffirelli’s and Luhrmann’s access to the characters, early and latter scientific reception and how Zeffirelli’s approach might differ due to the times his motion picture was made in and how both may or may not have succeeded in mirroring its times. The second part will thus rely on my interpretation and less on secondary literature. The third part will try to bring these perceptions to a conclusive evaluation.

These are subjective and thus liable to objection. They cannot be universally valid, but since I am dealing with art, nothing is. Luhrmann was obviously firmly affected by Zeffirelli’s work, and moreover used it as a guiding line for his film, which gives rise to the question, if he was merely an epigone, or maybe rather struck by Zeffirelli’s scenic ideas as being plausible and practical. This is a question which I shall seek to respond to, if I cannot answer it, in the progress of this paper. Furthermore, I will try to point out Morris’s2 dictum, that Shakespeare movies are an art form and a genre in their own right and should not be confused with or compared to a theatrical production of Shakespeare, but have an aesthetic language of their own. 2 Morris, Peter. Shakespeare On Film.

Canadian Film Institute/Institut canadien du film. Ottawa: 1972. Originally published in 1993. Presenting excerpts and articles on the themes and characters from the most famous story of young lovers, this collection brings together scholarship relating to the language, performance, and impact of the play. Ordered in three parts, the chapters cover analysis, reviews and interpretation from a wide ranging array of sources, from the play’s contemporary commenters to literary critics of the early 1990’s. The volume ends with an article by the editor on the action in the text which concludes the final section of 8 pieces looking at the story as being a product of Elizabethan Culture. It considers the attitude to the friar, to morality and suicide, the stars and fate, and gender differences.

Comparisons are made to Shakespeare’s source as well as to productions performed long after the Bard’s death. Timeless Shakespeare-designed for the struggling reader and adapted to retain the integrity of the original play. These classic plays retold will grab a student's attention from the first page.

Presented in traditional play script format, each title features simplified language, easy-to-read type, and strict adherence to the tone and integrity of the original. Romeo and Juliet fall in love at first sight.

Yet the bitter feud between their families forbids all contact. Can the power of their love stand up against such a longstanding history of hatred?

Romeo and Juliet is one of Shakespeare's most popular tragedies and has provoked a rich diversity of interpretations. Definitively passionate, it is much more than the archetypal love story: the play tests the limits of tragedy and comedy, challenges gender roles and explores the nature of language.

In this Reader's Guide, Gillian Woods:. Canon lbp2900b windows 7 driver. surveys key critical responses to Romeo and Juliet, from the sixteenth century to the twenty-first century. plots a clear route through the vast array of debates, identifying chronological and thematic connections and explaining contexts. investigates major issues and approaches such as deconstruction, psychoanalytical criticism, feminism and queer theory. discusses film adaptations, including Baz Luhrmann's 1996 box-office hit William Shakespeare's Romeo + Juliet. Authoritative and accessible, this invaluable Guide provides students, teachers and researchers with a panorama of the play's critical history in all its dynamic variety. Romeo and Juliet are in love.

But their families are bitter enemies. Set in medieval Vienna, a place of sword fights, secrets and magic potions, their tragic love story plays out to a desperate end. This simple retelling is a brilliant introduction to the work of William Shakespeare for young readers growing in confidence and ability.

Includes a guide to the characters and links to recommended websites for children to find out more about Shakespeare and the play. 'Crack reading and make confident and enthusiastic readers with this fantastic reading programme.' - Julia Eccleshare.