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This site contains reviews of all of Isaac Asimov’s books and short fiction. All of Asimov’s books are reviewed, even the ones I haven’t read cover-to-cover (of which there are only four). Reviews of his short fiction cover all of his anthologized science fiction, fantasy, and mysteries, and a few bits and pieces of unanthologized material.

The reviews vary in length. Reviews of the more important books or stories tend to be longer, and reviews of the less important ones tend to be shorter, but that’s not a hard and fast rule. For example, there may be value to be gained in looking at why a particular book just doesn’t work. On the other hand, when a good book is part of a series (such as the F&SF essay collections), it’s hard to say much about a later volume that hasn’t already been said about all the earlier ones, except summarizing the contents.

Harlan Ellison, in his introduction to The Beast That Shouted Love at the Heart of the World quotes his editor at Avon, George Ernsberger, as saying, “There isn’t, really, something interesting to say about every story ever written—including, often, the very best ones.” (Thanks to Josh Wimmer of io9 for introducing me to the quote.) Having gone through so much written by Isaac Asimov, that’s something I of which I have become very much aware.

At the very least, I try to touch on why an Asimov fan—that is, someone who enjoys reading Asimov’s writing and wants to read more, or someone who is trying to study Asimov and his life—may or may not want to read a particular book or story. That may have something to do with its quality, and it may not. It varies from book to book.

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Sometimes the reviews are very personal and talk about my own reaction to a piece. This is mostly because my own experience with reading reviewers is that there really isn’t such a thing as objective literary criticism; all reviewers have ideosyncratic reasons for liking or disliking certain things. I’m just trying to be up-front about mine.

Now, my main qualification for writing these reviews is simply that I’ve read a lot of Asimov. My own training is as a historian and mathematician, and professionally I deal with the computer representation of text. There is a certain amount of hubris involved for someone like me in undertaking a task like this, but I should point out that the man I’m talking about freely wrote books about the Bible and Shakespeare and astronomy and all kinds of stuff he had no formal training in. He also repeatedly denied having any real knowledge of “how to write,” certainly none that he knew how to convey. I'm comfortable, then, being a reader who doesn’t know “how to read” but does a lot of it anyway, and talking about a writer who didn’t know “how to write” but did a lot of it anyway.

The reviews are not synopses. I feel no obligation to summarize plots or contents. On the other hand, if a particular plot point is relevant to how I feel about a book, I will discuss it without hesitation and without spoiler protection, so be warned! This is especially true of Asimov’s better known fiction. If you seriously don’t want to be told where the Second Foundation is—well, maybe you should finish reading the first three Foundation books before coming here. (Although I always thought it was something of an anticlimax when it turns out it was just Hari Seldon’s sled.)

It goes without saying that some people will disagree with me. (That’s why I felt obligated to say it.) Feel free to write me to correct factual errors or to try to convince me that my own feelings regarding a book are wrong. If you can get me to enjoy a book in my Asimov collection more than I already do-more power to you; I certainly won’t mind. Comments and suggestions are also welcome.

In the end, however, there’s no accounting for taste, and sometimes I simply don’t like a book, so don’t be surprised if your take is different from mine.

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